An anonymous commenter on the recent post for the BRAINIAC/LAZY split-7 added a link to something called the "3RAIN1AC Live Archive." After checking it out, I thought it deserved a post of its own here.
BRAINIAC fans (or really anyone) will find a wealth of good stuff there. There's a pretty good timeline with dates running from Tim's appearance on THE WIZBANGS' demo recordings in 1991 up to some recent ENON activity in 2007. You'll also find a nice archive of live recordings from the band that can be downloaded (in MP3) directly from the site. The only hitch is that the video section doesn't seem to include any video that you can download or watch directly. But there is an e-mail link to get more information on how to obtain any of the six DVD compilations listed there.
take care
---Jones()
Showing posts with label Bodine (Michelle). Show all posts
Showing posts with label Bodine (Michelle). Show all posts
Sunday, April 10, 2011
Sunday, January 20, 2008
Off-site: OMATIC & SHESUS at Last Days of Man on Earth
Someone posted a comment asking if the blog is dead. It's only been 12 days since the last post (we've gone longer than that before), so I think the question is a bit premature. But just to be clear: nope, the blog's still going. But I'm back to school now, so things will be slower -- probably not quite as slow as they got last semester (where I basically had to shut down the blog for about two months), but slower nonetheless. But I've still got tons of stuff to put up, and I don't see me getting tired of blathering about my misspent 20s any time soon. So one way or another, we'll be going for a long time.
On other topics, I generally skim a lot of other music blogs, and every now and then I come across something with a Dayton connection. So as I did with TOXIC REASONS a couple months ago, I will post links to any Dayton stuff I find on those other blogs. As it happens, I ran across some such stuff just a few minutes ago. Here it is now to tide you over between now and the next entry here:
A great write-up on the band OMATIC with a download link for the full album Dog Years.
Another such write-up on SHESUS with download links for selections from Ruined It for You and Shesus Loves You (the blogger doesn't offer the full recordings because they're apparently still for sale somewhere).
I was glad to find these because I hadn't planned on posting anything here on SHESUS and I've only got one seven-inch by OMATIC. But both are great bands worth remembering.
Both of these are from the excellent Last Days of Man on Earth blog. While you there, check out the rest of it. Great stuff.
take care
---Patrick
On other topics, I generally skim a lot of other music blogs, and every now and then I come across something with a Dayton connection. So as I did with TOXIC REASONS a couple months ago, I will post links to any Dayton stuff I find on those other blogs. As it happens, I ran across some such stuff just a few minutes ago. Here it is now to tide you over between now and the next entry here:
A great write-up on the band OMATIC with a download link for the full album Dog Years.
Another such write-up on SHESUS with download links for selections from Ruined It for You and Shesus Loves You (the blogger doesn't offer the full recordings because they're apparently still for sale somewhere).
I was glad to find these because I hadn't planned on posting anything here on SHESUS and I've only got one seven-inch by OMATIC. But both are great bands worth remembering.
Both of these are from the excellent Last Days of Man on Earth blog. While you there, check out the rest of it. Great stuff.
take care
---Patrick
Friday, August 17, 2007
Dayton & BRAINIAC in Imminent zine, July 1992



Here's an article from the July 1992 issue of Imminent, a zine from Cincinnati. The second half of the article is a review of an early BRAINIAC show at Wright State's Rathskellar. The first half is probably the most accurate portrait of Dayton, Ohio and what this town is all about that I've ever read. If you click on the scans to the left, you'll see them in more readable, full-size versions, or you can read the OCR transcription that follows:
Sixty miles to our north lies an area you could practically call Cinti’s northernmost suburb. In reality, the town could be more aptly referred to as the Queen City’s illegitimate sister city. Violence, crack and prostitution run rampant in the mean streets of this community. The town leaders are not the Mayor, Sheriff or County Prosecutor as it is here. They are gangsters, outlaw bikers and organized crime thugs. Street gangs have controlled the turf up there since the 1950’s, decades before Los Angeles made the gang scene fashionable.
Unless you hail from another section of the country or you’re suffering from organic brain damage, you’ve probably figured out I’m talking about Dayton, Ohio. Unfortunately, many Cincinnatian’s are quick to unfairly judge our northern neighbor, and this judgement is generally passed on the basis of misleading, inconclusive evidence. When passing through Dayton on 1-75, Cinti. folk love to laugh at what they see of the downtown area from the highway (You call that a skyline? Ha!) They laugh even louder at Dayton television broadcasts (Hey look, another Gun and Knife show at Mara Arena! Har, har!). The sad truth is, most of these pompous, misguided fools have never spent enough time in the place to properly evaluate it. If only they would make that 60 mile journey north and get out of their cars they might get a chance to taste the Gem city’s own special blend of urban decay. (This city has Chris Collinsworth and Simon Leis. Dayton has a never ending supply of dope. You decide which place is cooler).
The chemical haze that hangs over Dayton would do Mexico city proud (and who says Dayton ain’t metropolitan?) Through the center of town runs the Miami river, which rivals the ability of Mill creek to turn your stomach in the summertime. To the west you’ll find the town's black section where the race riots in the '60s competed for national media attention along with those in Watts and Harlem. The east side is home for the equally violent Appalachian slums, where one could easily be murdered for the price of a tube of model airplane glue. The Southside is where you’ll find the University of Dayton and its fabled off campus urea known simply as "the Ghetto." Last but not least is the northside of town where the town’s legendary red light district is located and the streets are littered with hypodermic needles. Believe it or not, Dayton police do not write tickets for skateboarding and jay-walking like the cops in this burg; they're a little more concerned with dead bodies.
Dayton’s strange, violent, creative energy does not remained caged within the city limits. It climbs out of the Miami river valley, riding on clouds of industrial soot, and infects the minds and spirits of young unsuspecting children. This energy sometimes lands these kids in Woodland State Mental Hospital. This same vibe which brings death and insanity to some, inspires others to form bands. Four Dayton youths I’d like to focus on here chose the latter route. They call themselves Brainiac. Brianiac is: Tim Taylor rhythm guitar. synth., vocals, Juan Monasterio-bass, Michelle Bodine lead guitar, and Tyler Trent drums. You may be familiar with Tim and Juan, as they did reside right here in Clifton Heights for a few years. They also comprised one half of the now defunct metal band, Pink Lady. You may also have seen them doing a stint in the Wizbongs (also defunct) [NOTE: the band is actually the Wizbangs, but when the OCR software rendered it as WizBONGS, it just seemed too perfect!]. juan and Tim hail from Kettering. Drummer Tyler Trent, from Beaveraeek, once pounded skins for punk band called Sunken Giraffe. Guitarist Michelle Bodine, a Trotwood resident, has never been in a band before (you couldn’t tell it from her playing, though).
As far as I know, the newly formed Brainiac has yet to grace Cincinnati with their presence. This being the case, it was decided to make the 60 mile pilgrimage north to see these folks live. Imminent’s editor, staff photographer and myself took the quest in our never ending journey to inform you of the latest unknown talent. (Where would you be without us?).
The trip began on an ominous note. Scott Haggerty was pounding on my door, screaming "Hey Kevin, oops! I mean, hey Mario! We’re going to Dayton to see Brainiac. Be at my house in one hour!” Inside my pad, I was on my knees, dry- heaving up the remains of a three day holiday weekend. I finished vomiting (in a manner that Charles Bukowski would applaud) hopped in the shower, and showed up promptly at the editor’s house.
We smoked some pot on the way up to Dayton, but it did little to curb my hungover nausea. The carbon monoxide leaking into the car from the broken tailpipe sure didn’t help matters much either. Also, it was raining and we were sailing down the highway on bald tires without windshield wipers. At that point in time, a safe warm bed in the Betty Ford Clinic held much more appeal than watching problem children make noise on instruments. But I had a job to do, so I knew my obligation to the public outweighed my selfish concerns.
We arrived safe and sound at Wright State University (a few miles to the east of Dayton, actually). Brainiac was to perform in the student center. As we walked into the building, I felt horribly out of place among the wholesome college kids. We entered a room with a commisary to the back, a stage to the front, and a video arcade outside. Watching well scrubbed youths wasting quarters on the video games, I noted that the place was so lame it made the Rhine Room look like CBGB’s. Juan and Tim graciously greeted us at the door, which made me feel a bit more welcomed.
The band set up and I looked about the place waiting for Marcia Brady to appear. Luckily she didn’t, but as it grew time for the music to begin, longhairs, punks, and a few assorted weirdos wandered into the room.
In my shaky, poisoned sickness, I had decided, before the band even hit its first note, that I wasn’t going to like it, Brainiac took the stage and violently slapped me out of my negative mindset. My attitude did a 360 degree turn and I found myself having fun in spite of my discouraged disposition.
Brainiac was kicking real wild with a psychotic tribal energy that seemed to be falling on dead ears. The crowd remained seated and silent (I later learned that dancing was not permitted in the room). Michelle Bodine had guitars set on alternate tunings which she would switch to from time to time. The chaos of the sound was firmly held together by Juan and Tyler, the band's rhythm section. In the center of this audio turmoil stood Tim, offering deranged, flanged vocals, choppy guitar rhythms, and occasional Moog keyboards (Realistic; made by Moog).
Tim did an admirable job as Brainac's frontman. The crowd may have been calm, but he wasn’t while executing hyper kinetic, unchoreographed movements, reminiscent of someone being electrocuted. Imminent’s editor commented on them sounding like Sonic Youth. I could hear an influence from that group, but I heard influences from various experimental late 70’s new wave bands as well.
I could almost call Brainiac the best new unknown band I’ve seen this year. Good sounds coupled with a visually exciting performance make them a happening worthy of your investigation.
This raises a good question, 'How can I, an Imminent reader, check this band out?’ Well, first of all, they have upcoming gigs in Dayton, and like I’ve said, Brainiac is worth the drive. Also though nothing’s yet scheduled, they do have an eye on Porkopolis for future shows. You could also send away for the four song demo cassette they have out. The cost is unknown, try writing Brainiac at P0 Box 703 WWB Dayton, OH 45409-0703.
So, anyway, next time you find your pseudo-intellectual, neo-metropolitan selves looking for joke fodder, leave Dayton out of it. After all, the Gem City has brought us such greats as Paul Lawrence Dunbar, Jonathan Winters, Brainiac, and yours truly. Think not of Dayton as the violent, industrial armpit city it can be; think of it as an overlooked mecca of underground wealth that it is.
[editor's note] I couldn’t get in touch with the band to find out when their next appearance will be, they have played down here before, Mario was just unaware of it. Don’t you make that mistake, catch ‘em if you can.
from Imminent zine, July 1992
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