Showing posts with label Humpert (Eric). Show all posts
Showing posts with label Humpert (Eric). Show all posts

Wednesday, February 27, 2008

AGNES MOOREHEAD PLATTER, s-t (cassette, 1990)

Although this band usually went by the acronym A-M-P, I always refused to refer to them that way. Why go to the trouble of coming up with a name with an obscure pop culture reference only to bury it in the initial letters of each word?

AGNES MOOREHEAD PLATTER was:

Richard Caesar Leonardi - vocals
Michael Dombroski - percussion
Dave Roberts - guitar
Scott Dvorak - guitar
Eric Humpert - bass

I saw these guys play at Canal Street Tavern a few times. I believe at least one of those times was in a band playoff round, and I'm sure I voted for them (somebody remind me to do an entry on band playoffs and what an utterly surreal experience that could be sometimes). For some reason, I think of AGNES MOOREHEAD PLATTER as a UD band, but I don't know for sure.

Actress Agnes Moorehead appeared in over a hundred films over the course of her career, most notably as Charles Foster Kane's mother in Citizen Kane. But you are most likely to remember her as Endora, the mortal-hating mother of witch Samantha Stevens on the '60s sitcom Bewitched.

But for this town, there's a little more to it than that (isn't there always with Dayton?). She was (still is) buried here in Memorial Park (after succumbing to uterine cancer in 1974 -- which itself is the subject of some controversy, many of her friends and Moorehead herself blaming the cancer on possible radiation exposure at a former nuclear testing site where she spent a few weeks on the set of The Conqueror 18 years earlier -- quoth Agnes on her deathbed, "I wish I'd never done that damn movie!"). But for the life of me (uhhh...) I can't figure out why she's here. She was born and raised in Massachusetts but lived and worked in Wisconsin, California, and any number of other places. Although she attended Muskingum College in New Concord and held property in Rix Mills (which had been in her family for five generations before being willed to Bob Jones University at her death), I haven't found any reason why she would be buried here in this town instead of those places. Not that her corpse shouldn't rest wherever it bloody well likes, mind you -- it's just odd to me. Ah well, another Dayton mystery to which, perhaps, the comments will provide the answer?

The music on the cassette is pretty solid alternative rock, comparable to similar stuff of the time: a little dancey, a little prog, a little rawkin' -- generally like a less self-absorbed and a little more loud version of THE CURE. Nothing earth-shattering (very little on this blog is), but good stuff, worth hearing again (or for the first time).

Track List:

1. Rudyard Kipling
2. Premium Paid
3. Agnes Moorehead Platter
4. Old Again
5. 1846

Download It! (28 MB) (link re-upped on 2-2-2013)

Produced by Phil Mehaffy at Cyberteknics in Dayton. Phil owned Cyberteknics and has done a lot of recording with Dayton bands over the years.

That's all I can say about AGNES MOOREHEAD PLATTER. Once again, feel free to fill in the blanks in the comments section.

take care

---Jones

ps. As usual, I got the stuff on Agnes Moorehead from her Wikipedia entry. Great source for pop culture entertainment information -- shit for most else.

pps. At the beginning of this post, I said that AGNES MOOREHEAD PLATTER went by the "acronym" A-M-P. Thinking about it now, I realize that was slightly misleading. An acronym is a pronounced word formed from the initial letters of a phrase, but AGNES MOOREHEAD PLATTER wasn't called "amp." To be accurate, I should've said "abbreviation" (which is merely a shortened form of a word or phrase, but one that is not actually pronounced) since they were referred to as "A-M-P."